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Acting Like an Animal Rachel Mayeri: Primate Cinema Symposium Postcard Erik Wesselo

People Watching series begins July 3rd at 8pm

People Watching is a monthly film-screening series with the goal of approaching movies for their anthropological significance, over their contribution to film history and academia. The title of each film will be a mystery until the night of the screening.

The inaugural session of People Watching will feature a classic Film Noir thriller about a serial killer. The aim of this screening is not to figure out “whodunnit”, but to ponder the notion that in 1931, in a city with a population of over 4,000,000, all its residents (though often working separately) might share the unified objective of apprehending a single criminal.

Thursday, July 3 at 8pm.
This is an outdoor screening, so dress appropriately!
Organized by Helen Cahng.

TV Dinner Night

July 9, 2008 at 7:00 pm

“This evening will explore the ritual of eating as a solitary experience. Participants will bring their own version of a microwavable tv dinner. We will provide a microwave & tv trays. Join us for an international compilation of film shorts on the subject of food & community. The program runs approximately 90 minutes. Curated by omnivores at the fabulous Echo Park Film Center, Lisa Marr & Paolo Davanzo. $5-$10 donation.”
- Tamala Poljak and Anna Oxygen

Jane Goodall and The Wild Chimpanzees

May 24, 2008 at 7:00 pm to 9:00 pm

Acting Like an Animal

 

A live performance of “Jane Goodall and The Wild Chimpanzees” will be staged at TELIC Arts Exchange as part of Primate Cinema, an ongoing project by Rachel Mayeri. The 20 minute performance will be preceded by talks by primatologists on the topic of acting in the animal kingdom, and a screening of Mayeri’s video “Primate Cinema: Baboons as Friends.” The event is free and open to everyone.

Schedule:
7:00 Lecture
8:00 Screening
8:30 Performance

Jane Goodall and The Wild Chimpanzees
“Jane Goodall’s Wild Chimpanzees” is a BBC Nature documentary, produced in 1996, chronicling the lives of the chimpanzees of Gombe National Park in Tanzania. Perhaps the most studied wild chimpanzees in the world, Fifi, Freud, Frodo, Ferdinand and Faustino are celebrities who have their own website and home movies. In the documentary, British primatologist Jane Goodall describes the family saga, with brothers vying for dominance, as a soap opera. Through Goodall’s eyes, we witness the construction of the contemporary meaning of “our closest relatives.”

The live performance Jane Goodall and The Wild Chimpanzees explores what it means to be animal, and how documentary dramatizes nature. The troop includes: Suzan Averitt, Claire Cronin, Penny Folger, Estela Garcia, Dave Johnson, Diane Lefer, Adam Overton, and Joe Seeley. This performance is one of a series of experiments developed in the 3-week workshop, How to Act Like an Animal (for more information about the workshop, visit http://thepublicschool.org/105/how-to-act-like-an-animal/).

Primatologists Deborah Forster and Rebecca Frank on Acting in the Animal Kingdom
Forster’s talk will be on the how and why of acting and motor mimicry in the animal kingdom, examining videos of “walking” octopuses, painting elephants, and aping orangutans. Frank, who researches female social behavior and cooperation, will analyze the group dynamics of a Reality TV show.

Rachel Mayeri: Primate Cinema

May 3, 2008 12:00 pm to June 22, 2008

Field Station Hollywood: May 3 - May 29
Primate Cinema Exhibition: June 11 - June 22
Talk and Screening: May 24 at 6pm
Opening Reception: June 14 at 6pm.

Jane G

Primates and their on-screen dramas are the subject of an exhibition presented at TELIC Arts Exchange by Los Angeles artist Rachel Mayeri.

The exhibition is an installation of several video experiments on the human animal, including “Jane Goodall and the Wild Chimpanzees,” “How to Act like an Animal,” and “Baboons as Friends.”

In the video series “Primate Cinema,” Mayeri transforms TELIC Arts Exchange into an observation platform for viewing the social, sexual and political behavior of human and nonhuman primates.

Mayeri’s work enables viewers to observe human nature at a safe distance through the lenses of primatology and media studies.

Jane Goodall and The Wild Chimpanzees (10 minutes, 2008)
A live performance of a nature documentary, “Jane Goodall and The Wild Chimpanzees” was developed and videotaped during a three week workshop at TELIC in May. The edited video explores what it means to be animal, and how documentary dramatizes nature. The performers are: Suzan Averitt, Claire Cronin, Penny Folger, Estela Garcia, Dave Johnson, Diane Lefer, Adam Overton, and Joe Seeley.

How to Act like an Animal (5 minutes, 2008)
This video is one of several exercises from the “How to Act like an Animal” workshop, which was co-led with primatologist Deborah Forster and physical theatre director Alyssa Ravenwood. Through observation and imitation of a nature documentary, human performers play chimpanzees–hunting, killing, and sharing the meat of a colobus monkey.

Baboons as Friends (6 minutes, 2007)
The first of the “Primate Cinema” series, “Baboons as Friends,” translates a primate social drama for human audiences. A two-channel installation, “Baboons as Friends” juxtaposes field footage of baboons with a reenactment by human actors, shot in film noir style. A tale of lust, jealousy, sex, and violence transpires simultaneously in human and nonhuman worlds. Beastly males, instinctively attracted to a femme fatale, fight to win her, but most are doomed to fail. The story of sexual selection is presented across species, the dark genre of film noir re-mapping the savannah to the urban jungle.

Rachel Mayeri: Primate Cinema

Field Station Hollywood
Primate Research Laboratory and Performance Workshop
Ongoing in May at TELIC Arts Exchange

In May, TELIC Arts Exchange will be a laboratory for primate research and video production, and will be open to visitors. As part of TELIC’s Public School, Mayeri will lead a workshop on “How to Act like an Animal.” The workshop will explore primate social structure, communication, and movement in a series of performative experiments, with contributions by primatologist Deborah Forster. The workshop will form the basis for a video to be shot at TELIC Arts Exchange in May and screened in June as part of Primate Cinema. Participation in the free workshop, offered as part of TELIC’s Public School, is limited to 15 people. To inquire, please follow the link below:

http://thepublicschool.org/105/how-to-act-like-an-animal/

Primate Cinema:
Baboons as Friends

The first of the “Primate Cinema” series, “Baboons as Friends,” translates a primate social drama for human audiences. A two-channel installation, “Baboons as Friends” juxtaposes field footage of baboons with a reenactment by human actors, shot in film noir style. A tale of lust, jealousy, sex, and violence transpires simultaneously in human and nonhuman worlds. Beastly males, instinctively attracted to a femme fatale, fight to win her, but most are doomed to fail. The story of sexual selection is presented across species, the dark genre of film noir re-mapping the savannah to the urban jungle.

“Baboons as Friends” was screened at the Museum of Contemporary Art in Denmark and received a Semifinalist honor for an International Visualization Competition sponsored by the National Science Foundation and the Journal Science. It was made in collaboration with primatologist, Deborah Forster, whose research and footage of wild baboons in Kenya is featured in the video. “Baboons as Friends” is played by actors Camillia Sanes, Patrick Mulderrig, Shaun Madden, Randy Tobin, and Andrew Maxwell. Liz Rubin, director of photography, captured their primate behavior in high definition video in a Chinatown bar.

http://www.soft-science.org/primate.html

Primatologists on Acting in the Animal Kingdom
Talk and Screening of “Primate Cinema: Baboons as Friends”
May 24, 6 PM, TELIC Arts Exchange

On May 24, primatologists Deborah Forster and Rebecca Frank will give talks, followed by a screening of “Primate Cinema: Baboons as Friends.” Deborah Forster has worked with primates at the San Diego Zoo, and researched wild baboons in Kenya. Forster’s talk will be on the how and why of acting and motor mimicry in the animal kingdom, examining videos of “walking” octopuses, painting elephants, and aping orangutans. Dr. Frank, who researches female social behavior and cooperation, will analyze the group dynamics of a Reality TV show.

Rachel Mayeri

Rachel Mayeri is a Los Angeles-based artist working at the intersection of science and art. Her videos, installations, and writing projects explore topics ranging from the history of special effects to the human animal. Videos include “Stories from the Genome: An Animated History of Reproduction,” animations for “Biospheria: An Environmental Opera,” and “The Anatomical Theater of Peter the Great.” Mayeri programmed the anthology “Soft Science,” distributed by Video Data Bank, and her essay “Soft Science: Artists’ Experiments with Science Documentary” is published in Tactical Biopolitics: Art, Activism, and Technoscience (MIT Press, 2008). Her videos have shown at Pacific Film Archive, The Center for Art and Media in Germany, and P.S.1 in New York. The recipient of grants from Creative Capital Foundation, The Mellon Foundation, and California Council for the Humanities, Rachel Mayeri is a guest curator of the Museum of Jurassic Technology and Associate Professor of Media Studies at Harvey Mudd College.

http://www.soft-science.org/mayeri.html

The exhibition at TELIC is supported in part by a grant from the Durfee Foundation.

Gravity Art events

There are three consecutive Saturdays of events in conjunction with the Gravity Art exhibition:

April 12

6pm: Willem de Ridder [ more info ]
then: Here is Always Somewhere Else screening [ more info ]

April 19

3pm: Conceptual Time Based Art symposium at UCLA [ more info ]

April 26

6pm: Erik Wesselo [ more info ]
then: Here is Always Somewhere Else screening [ more info ]

Time-Based Conceptual Art Symposium

April 19, 2008 at 3:00 pm

Symposium Postcard !!!

TELIC presents a symposium on time-based conceptual art at UCLA with the Department of Design | Media Arts and basjanader.com. This symposium is held in conjunction with our exhibition, Gravity Art. It is free and open to the public.

Two artists from the exhibition will speak: Guido van der Werve and Marco Schuler.

The curator of the exhibition, Rene Daalder, will give a short talk about Gerry Schum’s film Identifications, which will then be screened.

At the end of the evening, Seven Easy Pieces by Marina Abramovic will be screened for the first time in Los Angeles.

Here is the schedule:

3:00 - Opening reception
3:30 - Introduction by Rene Daalder
4:00 - Marco Schuler presentation
5:00 - Guido van der Werve presentation
6:15 - Screening of Identifications by Gerry Schum
7:15 - Screening of Seven Easy Pieces by Marina Abramovic

Location:

EDA (on the ground floor, next to the elevators)
Broad Art Center, UCLA
[ directions ]

Map to Broad Art Center at UCLA

This exhibition is made possible in part with support from the Mondriaan Foundation, Amsterdam, the Consulate General of the Netherlands in New York, The Andy Warhol Foundation for the Visual Arts, and basjanader.com.

Mondriaan Foundation

Erik Wesselo

April 26, 2008 at 6:00 pm

Erik Wesselo riding a windmill

Erik Wesselo (1964 ’s-Hertogenbosch Netherlands) makes films that are marked by a clear beginning and end, but in between everything stays the same. Wesselo uses film, the medium of the moving image to bring time to a standstill. For the duration of the film he tries to capture the viewer with this one image. He uses the camera as a parallel to his psychological experience. The tragic moments in the films coalesce with their liberating potential.

The following is the program for Wesselo’s presentation:

Introduction.

Backward (1997 16 mm 5.00 min color sound) is an extremely physical film where the artist is riding on a galloping horse back to front exploring his relation with the environment.

In Luxembourg (1997 16 mm 3.35 min color sound) we see the smartly dressed artist as the bored caretaker of an empty, wealthy home where he walks from room to room. When he leans on the balcony a reverse zoom reveals the outside of the house, then the fact that it is surrounded by a gang of bikers. In a reference to Easy rider and it’s ideal, the freedom of the open road, the bikers come a cross here as a mental projection.

Wesselo’s Düffels Möll (1997 16 mm 5.00 min color mute) begins in medias res Wesselo is bound to the sail of a windmill rotating swiftly counterclockwise. By binding himself to the blade of the windmill, the artist is simultaneously empowered and powerless. Flying through the air at great heights he experiences the rush of being able to survey his surroundings from a new perspective.

Break.

Oil (2000 16 mm 30.00 min) records a performance event in which the artist and a co-worker are engaged in a monotonous and backbreaking task of loading a shipping container with boxes of oil. The film begins with an empty container and ends when the containers is full and the “actors” no longer have a performance space.

Break.

In Battery Park City (2006 two channel video projection 7.00 min color sound) Wesselo himself does not appear unlike the other films where he uses performances to explore structurally his relationship with the environment. In Battery Park City we see the camera exploring and investigating the landscape of lower Manhattan after the event of 9/11.

End.

This exhibition is made possible in part with support from the Mondriaan Foundation, Amsterdam, the Consulate General of the Netherlands in New York, The Andy Warhol Foundation for the Visual Arts, and basjanader.com.

Mondriaan Foundation

Here is Always Somewhere Else screening

March 15, 2008 at 7:00 pmMarch 29, 2008 at 7:00 pmApril 12, 2008 at 7:00 pmApril 26, 2008 at 7:00 pm

TELIC will screen Here Is Always Somewhere Else: The life of Bas Jan Ader on four occasions during the Gravity Art exhibition - at 7pm on March 15, March 29, April 12, and April 26.

Here is Always Somewhere Else

Film about the life and work of Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic. As seen through the eyes of fellow emigrant filmmaker Rene Daalder, the picture becomes a sweeping overview of contemporary art films as well as an epic saga of the transformative powers of the ocean. Featuring artists Tacita Dean, Rodney Graham, Marcel Broodthaers, Ger van Elk, Charles Ray, Wim T. Schippers, Chris Burden, Fiona Tan, Pipilotti Rist and many others.

source: renedaalder.com

This exhibition is made possible in part with support from the Mondriaan Foundation, Amsterdam, the Consulate General of the Netherlands in New York, The Andy Warhol Foundation for the Visual Arts, and basjanader.com.

Mondriaan Foundation

Digitale Kunst uit België / Digital Art from Belgium

December 8, 2007 6:00 pm to January 19, 2008

December 8, from 6 to 9pm
Screenings, presentations, and food

On Saturday, December 8, TELIC Arts Exchange presents an evening of screenings and presentations by four Belgian artists. Anouk De Clercq, Bart Stolle, Stephan Balleux, and Nick Ervinck will each speak about their work, which is frequently characterized by an engagement with the digital, in relation to traditional art media. The artists will be introduced by guest curator Christophe De Jaeger.

This event at TELIC is held in conjunction with the exhibition “Artes Digitales” at the Kunsten Centrum Buda in Kortijk, Belgium. Videos from the December 8 screening will be on exhibit at TELIC Arts Exchange through January 5, 2008.

To set the mood on Saturday evening we will be serving a selection of beers courtesy of The New Belgium Brewing Company and Belgian chocolates and snacks.

This event and exhibition is made possible with the generous support from the Los Angeles Consulate General of Belgium, The New Belgium Brewing Company, the Belgian Commission of Contemporary Art, the Belgian Ministry of Culture, Existentie and Kunsten Centrum Buda.

Nick Ervinck
Image courtesy of Nick Ervinck

conductor_anouk_de_clercq.jpg
Image courtesy of Anouk de Clercq

Bart Stolle
Image courtesy of Bart Stolle

Stephan Balleux - In situ
Image courtesy of Stephan Balleux

Fassbinder screening program

Fassbinder marquee (with errors)

Friday’s screening program “To Be Is To Be Perceived” includes four selections from Rainer Werner Fassbinder’s output of 43 films (that’s about three per year, from 1965 until he died in 1982 at age 37).

Included are Ali: Fear Eats the Soul, Effi Briest, Fox and His Friends, and Mother Kusters Goes to Heaven.

“To Be Is To Be Perceived” will run during the normal gallery hours, from noon to 6pm.

See also: The Gaze in Fassbinder

“On the History of Attractions”

October 5, 2007 at 12:00 pm to 6:00 pm

12-5 pm
“On the History of Attractions” screening program, beginning with Abel Gance, La Roue (Wheels of Fate) (1922), through Arthur Penn, Bonnie and Clyde (1967) and Stanley Kubrick, Eyes Wide Shut (1999)
5pm
Fashion shows from Fashion TV and Dior Homme; screening of Beyonce ft. Shakira video “Beautiful Liar” and Black Eyed Peas, “My Humps”

“Identity Masquerades”

September 21, 2007 at 12:00 pm to 6:00 pm

“Identity Masquerades” screening program, including clips from Busby Berkeley, Gold Diggers of 1933 and 42nd St (1933); Kenneth Anger, Puce Moment (1949) and Kustom Kar Kommandos (1965); Alan Calpe, Perfidia (2006); Jack Smith, Flaming Creatures (1963); and Paul Morrissey/Andy Warhol, Flesh (1968)

Screenings and Photo Session

September 15, 2007 at 3:00 pm to 6:00 pm

  • Screenings of Rainer Werner Fassbinder, Querelle (1982) and Claire Denis, Beau Travail (1999)
  • Photo session by Jeff Compasso

  • “To Be is to Be Perceived”

    September 14, 2007 at 12:00 pm to 6:00 pm

    “To Be is to Be Perceived” screening program, including Rainer Werner Fassbinder, Ali: Fear Eats the Soul (1973); Effi Briest (1974); Fox and His Friends (1974); and Mother Kusters Goes to Heaven (1975)

    The XL Terrestrials present “The Transmigration of Cinema”

    March 30, 2007 at 7:00 pm to 10:00 pm

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    A screening program ranging from art flix to mainstream movies to
    guerrilla media to ubiquitous online effluvium, all presented in an open
    forum theater as an interactive and self-diagnostic application that will
    tell us if we are still connected to human consciousness, and how might we
    still access a customized and liveable “Operating System” based on
    un-programmed desires, community and individuation.
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    Super Society of the Spectacle Sunday

    February 5, 2006 at 5:00 pm

    Super Society of the Spectacle Sunday

    SECOND STRAIGHT SUPER SOCIETY OF THE SPECTACLE SUNDAY

    February 4, 2007 at 5:00 pm

    Second Straight Super Society of the Spectacle

    This is our second annual simultaneous screening of the “Society of the Spectacle” (1973) & the Super Bowl (live). There will be a halftime show with Anna Oxygen performing, and videos from Heather Bursch (”The Singer Not the Song”) and Javier Morales & John Michael Boling (”The Church of the Future”). French fare and American snacks will be available all day.

    Heather Bursch’s three-channel video installation, “The Singer Not the Song,” will be exhibited from February 4 until February 25.

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    Chung King Common

    September 8, 2006 6:00 pm to September 9, 2006

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    In the age of broadcast media, the spectator was passive and removed from systems of production. Progressives surmised that “activated” spectators would be freed from the influences and illusions produced by the few outlets for mass culture; and the Internet seemed to deliver this vision. Rather than conforming to what is offered, consumers have an enormous array of choices that reflect even the most esoteric interests. Popular fads like weblogs, MySpace, and YouTube call the traditional divisions between production and consumption into question.

    While art galleries have generally continued to imitate the store from the product-based economy - offering commodities in exchange for money - popular culture, entertainment, and business have largely adapted to a participatory model, involving the consumer in some degree within the process of production, through feedback, customization, and other forms of interaction. Individuals broadcast their own videos (without calling them art), wear their social relations like jewelry, curate, remix, and redistribute existing cultural works. This confusion of production and consumption, of object and experience, runs against the grain of the art gallery, which prefers that the art experience be something quite distinct from the larger culture.

    Activated spectators aren ’t as liberated as we thought they might be. The intermingling of production and consumption generates new possibilities and collectivities, but also new limits and antagonisms. TELIC Arts Exchange explores these issues through the “Chung King Common” during the month of September.

    Grass - A new, temporary floor surface for TELIC.

    Discotopia - An intermittent, site-specific, interactive disco.

    Light Show - A new lighting system at TELIC to sequence the space.

    Landscape - Recombinant cardboard units that serve multiple functions.

    Wishing Well - Fundraising through optical illusion.

    Synth-Rocks - Artificial rocks containing a synthesizer for environmental sound.

    WEEKEND SCHEDULE

    FRIDAY
    6 pm - open
    6- 9 pm Dawn Kasper - performance - Dead Drunk
    7 - 9 pm acks - sound performance - Campfire Song

    FRI + SAT (ON GOING)
    Dawn Kasper - video sculpture & stills - Evil Series #18 ‘The Chase’
    Andy Kopra - video - Canutillo
    Tara Kozuback - video - Jump
    Fernando Sanchez - video - My Bas Jan Ader
    Discotopia - sound installation - by SCI-Arc students (John Ford, Dohyung Kim, Steve Kim, Ayaka Matsushita ,Coffee Polk and Richard Yoo)

    SATURDAY
    11 am AAARG meeting and text trading
    1 pm Guthrie Lonergan - lecture, surfing the Internet in public

    2 - 6 pm Tom Leeser’s Picnic
    2 pm Tom Leeser - talk on Social Interstice and the Art of the Picnic
    3 pm Kelly Sears - video
    3.30pm Fallen Fruit (Dave Burns, Mathias Viegener, Austin Young)
    - presentation + fruit
    4.30pm Andy Kopra - video
    5 pm Sara Roberts - Earbie sound performance
    6 pm Emily Lacy - music

    8pm Albert Ortega - sound performance

    Saturday’s Picnic is held in partnership with the Center for Integrated Media, CalArts

    TELIC would like to thank Superior Sod for its generous grass donation, and Adam Shira from The Good Son for vinyl lettering.

     

    Black box with grass
    Chung King Common signChung King Common

    Nicholas Gessler - Things That Think: A talk about physical computation devices

    December 7, 2005 at 8:00 pm

    PRESENTED BY THE INSTITUTE FOR FIGURING

    Image credit: The IFF
    As we move into the age of ubiquitous computing, we are in danger of forgetting how we made things think and how things are thinking today. Computation is increasingly hidden on chips sealed in plastic behind the stylish skins of our appliances, under the sexy high performance hoods of our automobiles, and behind the sizzling screens of our PCs, ATMs and cell phones. Information seems to have lost all of its materiality as we envision it freely floating in global ether of wireless connectivity.

    While it is a pleasure to be seduced by these virtual realities, looking underneath their thin veneers from time to time is a good sanity check. In this talk, computer collector Nicholas Gessler will give us a close-up look at a variety of early technological devices - things that think - starting with the original complex computing mechanism, the Jacquard loom. We will look at mechanical and electromechanical computing modules, core memories, and physically sculptural cam memories. Finally, we’ll examine some 20th Century cryptographic machines. A real-life show-and-tell. Perhaps, as Gessler dreams, we can develop a Rube-Goldbergian aesthetic that foregrounds processes linking computation across all its evolutionarily diverse media, moving towards an aesthetic of intermediation.

    Nicholas Gessler is a researcher at UCLA whose work focuses on the emerging field of “artificial culture” - a research enterprise that extends work which began with distributed artificial intelligence and artificial life “towards a new scientific practice of synthetic anthrolpology”. Originally trained in more traditional anthropological practices, Gessler formerly studied the indigenous culture of the Queen Charlotte Islands. From 1973-1988 he was director and curator of the Queen Charlotte Islands Museums. In addition to his current work on large scale social and cultural simulations, Gessler is an expert on, and avid collector of, early computational devices.

    For more information about his collection of “Things That Think” see his website:
    http://www.sscnet.ucla.edu/geog/gessler/collections/

    Text written by Margaret Wertheim

    Nate Harrison - The (Quick)time Machine

    April 9, 2005 at 9:00 pm

     The (quick) Time Machine, 2003. Two channel DVD projection dimensions variable

    The (quick) Time Machine is a re-presentation of the 1960 film adaptation of H. G. Wells’ The Time Machine. The film was separated into every one of its ‘hard’ edits, which were then made into video loops. Each loop was subsequently sequenced according to the original storyline across a 40-block grid, read left to right, top to bottom. At any given moment the audio is in sync with one of the grid spaces, until that space starts looping, at which point the adjacent right block begins, with the audio syncing to it. When the grid fills up the process starts over in the top left corner. The video, through 1000 edits over the length of the original film, ends in the bottom right hand corner. As the narrative of the film is revealed, so too is its edit structure. The result is akin to transforming a film back into its storyboard.

    Alternative Video Games

    November 27, 2004 at 6:00 pm

    Curated by Eddo Stern as part of the LA Freewaves Festival

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